New Music and the Electric Guitar
Classical Guitar Repertoire
With Karlheinz Stockhausen’s Gruppen (1955–57), a massive piece for three orchestras and three conductors, the electric guitar began spreading from rock and roll dance halls and smoky jazz clubs to the classical concert stage. Ever since, an increasing number of composers have been featuring the instrument, with some actually making it the centerpiece of their […]
Read MoreOn Fingerings & Breakthroughs
Classical Guitar Technique
Choosing the fingering for a passage of music is an extremely personal process—what comes off easy for one player might prove a stumbling block for another. Granted, there are some general guidelines and principles that can be applied to everyone as a starting point, but that still leaves a critical amount of discretion to the […]
Read MoreFive New Year’s Resolutions for the Classical Guitarist
Classical Guitar Tips
The approaching New Year gives us a chance to assess where we are as well as where we want to go. Although any day is just as good a day for making things better, there is an undeniable psychological boost to starting anew together with the calendar. Here’s a few music-related resolutions to make the […]
Read MoreAn Interview with Jon Mendle
Interviews with Classical Guitarists
Jon Mendle is a young classical guitarist who performs on seven- and eleven-string guitars. A graduate of the San Francisco Conservatory, he has recently released an album of 18th century German music by C.P.E. Bach, Flanckenhagen, and Weiss, entiled L’Infidele and available through In A Circle Records. In this interview Jon talks about his approach […]
Read MoreThey Sound Good, and They’re Good For You: Rasgueado 101
Classical Guitar Technique
Rasgueado strums represent the backbone of many Mediterranean and Latin American folk styles, and they’re found throughout the modern classical repertoire from Joaquin Turina to Magnus Lindberg. Because of their reliance on extensor muscles, rasgueados also make for an excellent practice tool, even if you’re not trying to incorporate them in your playing otherwise. The […]
Read MoreThe Texas Guitar Quartet Needs Your Help
Classical Guitar News
A while back classical guitarist Giacomo Fiore asked for help. He did it with a Kickstarter campaign that raised several thousand dollars and helped him cover the licensing costs for the music he recorded. The Texas Guitar Quartet is doing the same. They’ve launched a Kickstarter campaign with the goal of raising funds for their […]
Read MoreReview: Pascal Valois at the American Musicological Society, San Francisco (Lecture-Recital)
Classical Guitar Concert Reviews
As a budding musicologist living in the Bay Area, I couldn’t have avoided this year’s iteration of the AMS meeting if I tried. For four days, the biggest names in music history and criticism convened in an unusually sunny and terse San Francisco. Imagine my excitement when I spied a lecture recital on early-nineteenth century […]
Read MorePracticing Performance
Guitar Performance Tips
The time we spend practicing is probably the most critical time from a creative and professional standpoint. Part athletic conditioning, part meditation, and part artistic development, who we are on the concert stage depends largely on who we are in the practice room. If you’re not prepared for a concert, your nerves are going to […]
Read MoreGearing Up: External Pickups, Preamps, and Other Amplification Accessories
Classical Guitar Amplification
Splitting the Difference: Removable External Pickups External pickups, such as the Schatten Dualie and the Schertler Dyn-G, offer an interesting compromise between the convenience of internal installation and the non-invasive nature of microphones. Although they lack the airy detail of the latter, external soundboard pickups can sound surprisingly natural. I’ve used one for many years […]
Read MoreOf Mics and Men
Classical Guitar Amplification
We have taken a look of some of the most commonly used permanent/internal solutions for amplifying classical guitars. Let’s flip to the opposite end of the spectrum and discuss the king of external amplification: the microphone. I’m just going to go ahead and say it: mics are a much more cost-effective and tonally accurate way […]
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